Rabu, 12 Mei 2010

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Dada's Women by Hemus Ruth (2009-04-21) Hardcover, by Hemus Ruth

  • Published on: 1600
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Jumat, 07 Mei 2010

[X483.Ebook] Ebook Download The Victorian City: Everyday Life in Dickens' London, by Judith Flanders

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The nineteenth century was a time of unprecedented change, and nowhere was this more apparent than London, which, in only a few decades, grew from a compact Regency town into the largest city the world had ever seen. Technology-railways, street-lighting, and sewers-transformed both the city and the experience of city-living.

From the moment Charles Dickens, the century's best-loved novelist and London's greatest observer, arrived in the city in 1822, he obsessively walked its streets, recording its pleasures, curiosities and cruelties. Now, with him, Judith Flanders leads us through the markets, transport systems, rivers, slums, alleys, cemeteries, gin palaces, chop-houses and entertainment emporia of Dickens' London, to reveal the Victorian capital in all its variety, vibrancy, and squalor. From the colorful cries of street-sellers to the uncomfortable reality of travel by omnibus, to the many uses for the body parts of dead horses and the unimaginably grueling working days of hawker children, no detail is too small, or too strange. No one who reads Judith Flanders's meticulously researched, captivatingly written The Victorian City will ever view London in the same light again.

  • Sales Rank: #350342 in Books
  • Published on: 2015-07-14
  • Released on: 2015-07-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.19" h x 1.50" w x 5.54" l, .0 pounds
  • Binding: Paperback
  • 544 pages

From Booklist
*Starred Review* By the end of the nineteenth century, London was the most populous city in world history and the center of an immense political and commercial empire that enveloped all populated continents. In his novels and essays, Charles Dickens vividly conveyed the color, dynamism, and squalor of the metropolis. Of course, Dickens had an ax to grind, so his efforts at social criticism led to some distortions. Also, he died in 1870, missing three decades of critical growth and reforms at the end of the Victorian era. Flanders, a Londoner, is a contributor to various British journals. She takes a broader and less judgmental approach than Dickens. Still, her imagery is often intense and striking even without editorial comment. Here is a putrid, disease-ridden water system filled with human and animal waste, characteristic of some of today’s Third World urban centers. At Covent Garden, home to a huge food market and theaters, and also a center for vice, rich and poor mingled on a daily basis. The streets of London were a constant assault on the senses with their noise and smell. This is a superb portrait of an exciting, thriving, and dangerous city. --Jay Freeman

Review

“Judith Flanders's erudite and vivid look at 19th-century London is a reminder that what Charles Dickens -an unflinching observer of urban wretchedness, whom Ms. Flanders rightly hails as 'the greatest recorder the London streets has ever known'-chronicled in his novels and journalism was merely life as most people then lived it...Ms. Flanders is a beguiling guide, drawing on Dickens's writings to create an irresistible portrait of the English capital at a time of unprecedented expansion... The Victorian City is the perfect companion to Dickens's work.” ―The Wall Street Journal

“Flanders uses secondary historical sources alongside Dickens's own impressions of the city to take us on a dazzling journey through an imperial city plagued by poverty and deeply divided by class... Flanders must be given credit for doing an astounding job of recreating every nook and cranny of London in this richly detailed compendium. Shying away from academic pretension, Flanders tells the epic story of this biggest and boldest Victorian city in all its complexity, with verve, color and a straightforward approach to language that still manages to give a voice to ordinary Londoners - something Dickens would no doubt approve of.” ―NPR.org

“Flanders... is giving famed English novelist and historian Peter Ackroyd a run for his money in their joint delight over all things London. In this new work, Victorian expert Flanders fields just about every question the intelligent reader might have about Dickensian London.” ―Buffalo News, 4 stars

“Weaving a tapestry as colorful as a market flower display, Flanders not only describes such things as changes in transportation but takes us right into the streets, to battle the mud and to be smothered in dust. The Victorian City is social history at its finest, a must-read for Dickens fans or anyone who loves London. It reminds us why this time period is endlessly fascinating to read about, but probably not a place we'd really want to live.” ―BookPage

“[Flanders'] imagery is often intense and striking… The streets of London were a constant assault on the senses with their noise and smell. This is a superb portrait of an exciting, thriving, and dangerous city.” ―Booklist, starred review

“A well-stuffed compendium on the transformational era in the history of London that fed both Charles Dickens' imagination and his well of outrage…. Flanders writes with bubbling enthusiasm about the old markets, Covent Garden and Smithfield, with their accompanying din and smells, and the plethora of life we only know through Dickens' eyes: the street vendors and artists, matchstick sellers, slum dwellers, prostitutes, habitu�s of gin palaces and prisoners. A terrific companion while reading Boz himself.” ―Kirkus

“Flanders (The Invention of Murder) successfully recreates the feel of London at Dickens's peak as she delves deep into the rhythms and architecture of particular neighborhoods…. Flanders's expertise shines when exposing Dickens's embellishments, particularly when his character Fagin faces execution rather than the less powerful but more realistic punishment of deportment. This well-researched sociological overview provides highly detailed context for cultural touchstones, while shattering the popular yet inauthentic image of a pristine Victorian age that never existed.” ―Publishers Weekly

“Outstanding.” ―Sunday Times (London)

“The teeming, bustling, hand-to-mouth and often smelly facts of mid-19th century urban life have seldom been more vividly presented than in this book.” ―Literary Review

“With infectious enthusiasm Judith Flanders dives into the sights, smells, sounds and grit of what was then the largest city the world had ever known: London.” ―Sunday Telegraph (London)

“Full of detail and colour about everyday life in Dickens's London, and leaves you with a sense not only of how hard life was then, but how strange. Even if you've read Dickens and the contemporary historians of the poor, there is still more to marvel at here.” ―Sebastian Faulks, Mail on Sunday Books of the Year (London)

“A quite extraordinary book, which I read with much enjoyment: an intoxicating blend of London, life and literature... I think it's Judith Flanders' best book yet, which is saying something.” ―Andrew Taylor

“Meticulous and gripping... Flanders says that Dickens appealed to contemporaries because he gave them a voyage into the unknown: into parts of London they did not know and where they would not venture. She does something similar for us. The strangeness remains, but the voyage is unforgettable.” ―Independent (UK)

“Flanders captures the variety and colour of 19th-century London, stirring admiration and indignation by turns. To lead us through the Victorian capital, through its hustle and sprawl, its dangers and entertainments, you couldn't hope for a better guide.” ―New Statesman (UK)

“Recreates the textures of everyday life with an anthropologist's understanding of human behaviour alongside a storyteller's eye for character.” ―Daily Telegraph (UK)

About the Author
JUDITH FLANDERS is a New York Times bestselling author and one of the foremost social historians of the Victorian era. The Victorian City was a finalist for the 2014 Los Angeles Times Book Prize. Judith is also the author of a crime fiction series, beginning with A Murder of Magpies. She lives in London.

Most helpful customer reviews

41 of 42 people found the following review helpful.
The Victorian City
By S Riaz
Having looked at the Victorian house, Victorian crime and Victorian leisure in previous books, the author now turns her attention to the Victorian city. In particular, London during the time of Dickens', using his journalism and novels to illustrate her own book. Judith Flanders makes an important point that today the word 'Dickensian' often refers to squalor - such as the term 'Dickensian conditions' - whereas in his own time the author was more often seen as convivial and often humorous. As anyone will know who has read any biography of the great man, what Dickens was, more than anything, was an observer of his city and his people. In this book, Flanders attempts to create a picture of London during that time and to show the differences and similarilities with now.

One of the main impressions I came away with from the book is that London was much busier then than our present time - if that is possible! When the author recreates the working day, it showed that even in the middle of the night people were trudging around, either going to work or returning from it. Another major difference is that most people walked fairly long distances to get to and from places. In her section about the city itself, she covers all elements, from the methods of transport, accidents, commuting and even what the roads were surfaced in. She presents a place of immense noise and bustle, with street hawkers, markets, music and crowds, in which many of the inhabitants complained of never having any peace from the constant roar of the streets.

Other sections of the book look at how people lived, enjoyed themselves and the city at night. I learnt that markets and public houses had to close during church services, something I had not been aware of before, and a whole host of other interesting and informative facts. London during Dickens' time was always on the move. As the population increased, slum dwellings (or rookery's) began to grow, with workhouses and prisons visible presences in the city. Poverty led to many ingenious ways to make things cheapest for the very poorest. Public houses had a 'saveall' to collect dregs from glasses to be sold cheaply, or given away, for instance. My very favourite was the fact that you could have newspapers delivered, or 'rent' them - if that was too expensive for you, you could rent the previous days paper for an even cheaper price. Still, the author looks carefully at the poverty and injustice Dickens' was famous for exposing and also looks at life expectancy, public water pumps, illness and epidemics and the links between crime and poverty.

London was not always so dark and depressing and her vivid descriptions of London at night, with public houses, theatres, street organs, parks and public spaces are fascinating. I have lived in London all my life, but was never aware of the work on Trafalgar Square, for instance, which went on for so long that hardly anybody could muster any enthusiasm when the lions were finally installed - only a handful of men witnessing they arrival in the capital. There are interesting digressions into royalty, food, street violence and fascinating accounts of public executions. For Dickens' his city was a place that encompassed all life, and leaving London and leaving life one and the same. Flanders does a wonderful job of recreating that time and of relating it always to Dickens' London and his work. If you have an interest in Victorian London or the work of Charles Dickens, this will be a must read. Lastly, I read the kindle edition of this book and it contained illustrations.

16 of 16 people found the following review helpful.
Encyclopedia of London streets in Dickens' day
By Free Range Clickin'
I wish this book had a different title. It's all about life in and on the *streets* of Dickens' London. The author's purpose is stated in the Introduction: "to look at the streets of London as Dickens and his fellow Londoners saw it, to examine its workings, to take a walk, in effect, through the city as it appeared in Dickens' lifetime, from 1812 to 1870." We rarely get indoors.

Each chapter - almost each page - bristles with detail. This is a wonderful reference book. As a straight-through read, I found it challenging, because I was soon feeling swamped by the sheer amount of information. To fully process all of that I'll have to read it again, but only a bit at a sitting. That said, I enjoyed most her descriptions of the development of the city's infrastructure - streets, roads, lighting, sewers, the Embankment.

There's an encyclopedic knowledge on display in each chapter of this book, and much to learn. Few who visit today's London know that several rivers run through it, but have long been buried deep under its streets and buildings. I wasn't surprised to read the details of a devastating fire at the wharves, or of huge public gatherings for events ranging from said fire to the state funeral of the Duke of Wellington. It was a revelation, however, to learn of the elaborate public illuminations: public buildings, shops, and even private homes were adorned with gaslit decorations for the enjoyment of vast night time crowds, to mark special occasions. Those are just a few of the subjects Flanders examines; if I tried to touch on all of them I'd have to write an unbearably long review.

Throughout the more than 400 pages of text (there are about 100 pages of end notes), Flanders frequently ties the details of the present subject, with Dickens' life and works. This attention to her theme provides welcome relief from the feeling I sometimes had, that I was reading an encyclopedia.

Although I don't live there and can't visit often, one of my favorite things ever is to spend a day walking in London. Any book whose purpose is to explain what Dickens saw on his lifetime's worth of walks through London - night and day - has a permanent place in my bookcase. I'll be picking this one up again and again, for reference and for browsing. It's a bit much to read all at one go, though.

12 of 12 people found the following review helpful.
Well Done, Judith Flanders, Well Done..
By Ms Winston
Who hasn't a one point or another longed to go back in time to visit the actual place where a favorite author set his most popular works? I know that I have at various times want to go back to see the London of Charles Dickens, or to move forward a decade or two, the London of Sherlock Holmes. Since as far as we know time travel is not possible, I recommend Ms Flanders' book on the Victorian city as the next best thing (and probably a whole lot safer, as well).

Each chapter has a theme for our travel adventure -- food, water-borne diseases, transportation, the generally miserable lives of children put to work when they are hardly out of their nappies, street walkers, shop keepers, and royalty. The book is an excellent resource for the casual reader and the scholar alike, as Ms Flanders has included copious notes and a bibliography. The book did not have quite as many illustrations as I had hoped for, although there were some throughout the text. I have read other books that I think did a slightly better job of involving the reader more totally in the time period, such as "The Time Traveler's Guide to Elizabethan England", by Ian Mortimer. The Mortimer book had more of a laser-like focus on one particular subject per chapter, where Flanders sometimes seemed to go off on tangents. Both methods have their merits, and sometimes it is just a matter of what style appeals to the reader at a given moment.

At over 400 pages the Flanders book is a commitment of time, but, as is often the case in books of this type, it is possible to read a chapter or two, set the book aside for a few days, and then come back to it without losing the context. I know many people, including myself, who often read large non-fiction books in this manner, and this book in particular lends itself to that method. If the subject matter interests you, do not hesitate to dive right into this exploration of Dickens' London.

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Sabtu, 01 Mei 2010

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  • Sales Rank: #8776505 in Books
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Trauma, Torture and Dissociation: A Psychoanalytic View, by Aida Alayarian

Understanding trauma is central in this book, for both a practical and theoretical challenge from a relational psychoanalytical perspective, with the view that childhood trauma of a patient is a dual narration along with the developmental processes as a factor creating resilient qualities. The theoretical material is presented in close conjunction with clinical data in the form of vignettes and case studies to illustrate the key points. Presentation of vignettes and case studies focuses on the multidimensional approach examining the contributions of psychoanalysis, emphasizing the act of dissociation (healthy and unhealthy). Specific attention is given to the internalization of the m/other/object as the “listening other”, and the dissociated part/s that may result in an over idealized yet feared object. The final discussion focuses on how patients in therapy become able to transform fears into “psychic space” and breaking away from vulnerability, by developing a better “sense of self”, as the result of having the therapists as the “listening other”. The central theory of psychoanalysis as a form of treatment that enhances resilience in relation in working with patient experienced trauma considered, by the mean of assessing relationship change in transference as an objective method of determining patience psychical alteration.

  • Sales Rank: #3998064 in Books
  • Published on: 2011-07-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .90" w x 5.70" l, 1.25 pounds
  • Binding: Paperback
  • 352 pages

Review
"Dr Alayarian’s work on dissociation is an important contribution to research rooted in the psychoanalytic tradition. Like Winnicott (1986) who discussed the splitting of the self as an achievement of personal growth in some circumstances, she sees healthy dissociation as a skill of survival for the traumatized. The research is the fruition of therapy with children and adults over decades and is valuable for those working with the increasing scope of trauma both in the NHS and private practice." (Lennox K. Thomas, Consultant Psychotherapist, British Association of Psychotherapists; Fellow)

About the Author
Aida Alayarian is a consultant clinical psychologist, child psychotherapist since 1986, and adult psychoanalytic psychotherapist since 1998. She has a Masters in Medical Anthropology and Intercultural Psychotherapy, with a background in Medicine. She is the founder and currently Clinical Director of the Refugee Therapy Centre.

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Minggu, 25 April 2010

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INJURY TO VICTORY, by LLOYD WOODRUFF JR

AS I WENT ASTRAY

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I SAW HIS LIGHT

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  • Sales Rank: #2881563 in eBooks
  • Published on: 2013-02-24
  • Released on: 2013-02-24
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
Five Stars
By Colgate Woody
So inspirational. I reread several times. Will continue to read over and over again. Poetry to lift your spirit.

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Jumat, 23 April 2010

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The Emperor of All Maladies: A Biography of Cancer, by Siddhartha Mukherjee

A magnificent, beautifully written epic "biography" of cancer---in the tradition of Andrew Solomon's The Noonday Demon, this is a brilliant exploration of the past, present, and future of a complex disease that defines us and our time.

  • Sales Rank: #1275730 in Books
  • Published on: 2010-11-17
  • Formats: Audiobook, CD, Unabridged
  • Original language: English
  • Number of items: 16
  • Dimensions: 5.30" h x 1.60" w x 6.40" l, .89 pounds
  • Running time: 20 Hours
  • Binding: Audio CD

Amazon.com Review
Amazon Best Books of the Month, November 2010: "In 2010, about six hundred thousand Americans, and more than 7 million humans around the world, will die of cancer." With this sobering statistic, physician and researcher Siddhartha Mukherjee begins his comprehensive and eloquent "biography" of one of the most virulent diseases of our time. An exhaustive account of cancer's origins, The Emperor of All Maladies illustrates how modern treatments--multi-pronged chemotherapy, radiation, and surgery, as well as preventative care--came into existence thanks to a century's worth of research, trials, and small, essential breakthroughs around the globe. While The Emperor of All Maladies is rich with the science and history behind the fight against cancer, it is also a meditation on illness, medical ethics, and the complex, intertwining lives of doctors and patients. Mukherjee's profound compassion--for cancer patients, their families, as well as the oncologists who, all too often, can offer little hope--makes this book a very human history of an elusive and complicated disease. --Lynette Mong

From Publishers Weekly
Mukherjee's magisterial history of cancer research is poorly served by Stephen Hoye's impersonal, tone-deaf narration. Mukherjee is a practicing oncologist, and his is a deeply personal account, replete with stories of his own patients and practice, that begs for an intimate reading. But Hoye is pedantic, dry, stentorian-everything that this book isn't-and his newscaster's delivery cannot convey the author's compassion for his patients or the suspense and thrill of scientific discovery that the book so brilliantly describes. A Scribner hardcover. (Nov.)
(c) Copyright PWxyz, LLC. All rights reserved.

From Booklist
*Starred Review* Apparently researching, treating, and teaching about cancer isn’t enough of a challenge for Columbia University cancer specialist Mukherjee. He was also moved to write a biography of a disease whose name, for millennia, could not be uttered. The eminently readable result is a weighty tale of an enigma that has remained outside the grasp of both the people who endeavored to know it and those who would prefer never to have become acquainted with it. An unauthorized biography told through the voices of people who have lived, toiled, and, yes, died under cancer’s inexorable watch. Mukherjee recounts cancer’s first known literary reference—hence its birth, so to speak—in the teachings of the Egyptian physician Imhotep in the twenty-fifth century BCE, in which it is clear that Imhotep possessed no tools with which to treat what appears to be breast cancer. His cryptic note under “Therapy:” “There is none.” Throughout cancer’s subsequent years, many more physicians and scientists with names both familiar and obscure attempted and occasionally succeeded in deciphering or unlocking keys to many of the disease’s mysteries. Alas, this is not a posthumous biography, but it is nonetheless a surprisingly accessible and encouraging narrative. --Donna Chavez

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26 of 27 people found the following review helpful.
read it after your treatment
By Aaron McLoughlin
Last April I was diagnosed with acute leukaemia. After a stem cell transplant I am coming up for a year.

When you are told you have cancer you are bewildered. You are also very angry. I asked myself was there something I had done in my past that was going to deprive me seeing my two sons grow up into happy young men and dads. The first two weeks go by in a weird nightmare. Day 17 your hair falls out. Your peeing orange from the chemo drugs, which have put me off lucozade for life. You double check all your insurances are up to date and update a well to make sure my wife does not have any hassles with the tax authorities. At the age of 44 you are very angry. You realise you are likely going to die. You are angry because you have no idea what is doing it. What you planned for when you were older is all meaningless. But, thanks to certain stubbornness and amazing treatment and care, and a generous sift of life from a German donor of life giving stem cells, I am alive.

This book helps explain many of the questions I had. It does it in a way that makes sense if you don't have a degree in science. What was until recently a death sentence is no longer the case. The battle against cancer was waged by intrepid individuals, and this book explains the war so far. It outlines the causes of cancer, whether it is a virus, bacteria, induced by smoking or chemicals, or just our own body playing up and turning on itself. It explains how our own understanding is still basic but advancing year by year, and treatments, if not cures, are being found for many, although not all cancers.

I learned that was once a death sentence is not the case today. I am looking forward to see my sons become men. This book gave me clarity, it gave me hope.

4 of 4 people found the following review helpful.
An insider's view of cancer
By Ionut Trestian
I only read this book because Ken Burns produced a documentary on it that is coming out in the Spring of 2015. I really love Ken Burns documentaries, hence the interest. Across the book, there is only one common character, cancer. Although cancer is not a single disease but a collection of several diseases characterized by uncontrolled growth and spread of cells in the body, the book portrays cancer as a great villain, lurking in the shadows, ready to strike at any time. What makes this story different and far from dry is the way S. Mukherjee tells it: "the story of leukemia - the story of cancer - isn't the story of doctors who struggle and survive, moving from one institution to another. It is the story of patients who struggle and survive, moving from one embankment of illness to another. Resilience, inventiveness, and survivorship — qualities often ascribed to great physicians — are reflected qualities, emanating first from those who struggle with illness and only then mirrored by those who treat them. If the history of medicine is told through the stories of doctors, it is because their contributions stand in place of the more substantive heroism of their patients."

Across the book, we are also introduced to ways of fighting or stalling the advance of cancer: radical surgery and radical mastectomy, X-rays, cytotoxics, monoclonal antibodies, tyrosine kinase inhibitors and S. Mukherjee explains really well how all of the above function (or don't function in some cases). One of the strengths of the book is that it gives a behind the scenes look at how certain drugs or procedures came to be (Druker's struggles with developing imatinib) or how other procedures were proven to be too radical and changed such as Halsted's radical mastectomy.

The fight to find a cure for cancer has triggered enormous social forces in the 20th century and in the book we are introduced to some of the main characters: Sidney Farber and the Jimmy Fund, Mary Lasker and the American Cancer Society both determined to enact policy changes that will get more resources allocated to the war against cancer. These are just a few figures in this war, but there were other forces as well that fought for cigarette labeling for example, or more personal struggles related to compassionate drug use.

S. Mukherjee ends the book on a more positive note. All throughout the book we get the impression that primitive forces are battling a very complex disease, using disfiguring surgery or drugs that oftentimes end up causing cancer themselves. The final few chapters are not so gloomy, he takes a molecular biologist's view of the disease and explains our current understanding of the processes and pathways involved and you do get the impression that by 2050 we will be able to target the specific pathways and mutations that make up a particular form of cancer.

3 of 3 people found the following review helpful.
One of the best written research books ever.
By A Bucket of Corn
Review of Book and Ken Burns Series:

One of the best books and also now one of the best Documentary's out there. This is a 3 episode, three disc, exploration and history of one of the greatest mass murderers of all time, CANCER. This documentary is a thoughtful, moving, emotional journey into everything about cancer and what all the doctors, nurses, researchers and victims have gone through. Possibly one of the best, if not the best research examples ever done in written form, and now film form. I have read the book also which I highly recommend and now I highly recommended the 3 Disc Documentary that Ken Burns has created. I have never been so glued, moved, brought to tears as I have by this documentary. Not only does this book and documentary explore the vast history of this horror, but it also puts a face on this monster. It showcases the pain and suffering of those who are ravaged by this beast. It gives an example of not just a word but a living, breathing human being.

Siddhartha Mukherjee is one of the finest human beings to ever grace book form, his book brought to life this horrible reality. He not only brought a face to the monster, but he allowed you to understand the history, and massive exploration for treatment and hopefully one day a cure. In a sense both Siddhartha Mukherjee and Ken Burns has given a voice to this darkness that slowly is causing thousands to die, suffer, or go through.

Not only does this book and documentary explore the vast history of this horror, but it also puts a face on this monster. It showcases the pain and suffering of those who are ravaged by this beast. It gives an example of not just a word but a living, breathing human being.

Siddhartha Mukherjee is one of the finest human beings to ever grace book form, his book brought to life this horrible reality. He not only brought a face to the monster, but he allowed you to understand the history, and massive exploration for treatment and hopefully one day a cure. In a sense both Siddhartha Mukherjee and Ken Burns has given a voice to this darkness that slowly is causing thousands to die, suffer, or go through.

Cancer sadly runs in my family. My sister died of Spinal Cancer. One Aunt died of colon cancer. One Aunt died of Pancreatic Cancer. One Aunt Lung and Brain Cancer. One Uncle Brain Cancer. One Uncle Lung and Brain Cancer. One Uncle Esophagus Cancer. One Uncle Lung Cancer. My Great Grandfather Prostate Cancer. My Dad is a survivor of Prostate Cancer. So I have seen it, experienced its wrath. See the brutality of this beast. I feel the book and Ken Burns Documentary is a prime example of how to look at this Emperor of All Maladies.

A perfect book. A perfect film. Both should be owned, read and watched, taught and expressed to others. Wonderful examples of research both in written form and visual form. Perfection.

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Minggu, 18 April 2010

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Unity and diversity in New Testament theology: Essays in honor of George E. Ladd, by George Eldon;Guelich, Robert A. Ladd

  • Sales Rank: #3278290 in Books
  • Published on: 1978
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Binding: Hardcover
  • 219 pages

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